As requested the Map of the Ballroom - Hope it helps
Tuesday, September 9, 2008
Friday, November 9, 2007
What does Alms mean?
Alms or almsgiving exists in a number of religions. In general, it involves giving materially to another as an act of religious virtue. In Abrahamic religions, alms are given as charity to benefit the poor. In Buddhism, alms are given by lay people to monks to nurture laic virtue, merit and blessings and to ensure monastic continuity. The word comes from Old English ælmesse, ælmes, from Late Latin eleemosyna, from Greek eleEmosynE pity, alms, from eleEmOn merciful, from eleos pity.
Buddhism
Almsbowl as used by bhikkhus for going on almsround.In Buddhism, alms or almsgiving is the respect given by a lay Buddhist to a Buddhist monk. The monk will then pray for the giver's family or requested others. It is not charity as presumed by Western interpreters. It is closer to a symbolic connection to the spiritual and to show humbleness and respect in the presence of normal society.[1] The visible presence of monks is a stabilizing influence. The act of alms giving assists in connecting the human to the monk and what he represents. As the Buddha has stated:
"Householders & the homeless [monastics]
Buddhism
Almsbowl as used by bhikkhus for going on almsround.In Buddhism, alms or almsgiving is the respect given by a lay Buddhist to a Buddhist monk. The monk will then pray for the giver's family or requested others. It is not charity as presumed by Western interpreters. It is closer to a symbolic connection to the spiritual and to show humbleness and respect in the presence of normal society.[1] The visible presence of monks is a stabilizing influence. The act of alms giving assists in connecting the human to the monk and what he represents. As the Buddha has stated:
"Householders & the homeless [monastics]
in mutual dependence
both reach the true Dhamma...." (Itivuttaka 4.7)[2]
In Theravada Buddhism, many monks (Pāli: bhikkhus) go on a daily almsround (or pindabat) to collect food. This is often perceived as giving the laypeople the opportunity to make merit (Pāli: puñña). Money should not be accepted by a Buddhist monk, although nowadays not many monks keep to this rule (the exception being the monks of the Thai Forest Tradition and other Theravada traditions which focus on vinaya and meditation practice). In countries that follow Mahayana Buddhism, it has been impractical for monks to go on a daily almsround. In China, Korea and Japan, monasteries were situated in remote mountain areas where it could take days to reach the nearest town, thus making the daily almsround impossible. In the Himalayan countries, the large number of bikshus would have made an almsround a heavy burden on families. Competition with other religions for support also made daily almsrounds difficult and even dangerous; the first monks in the Shilla dynasty of Korea were said to be beaten due to the Buddhist minority at the time.
In Buddhism, both "almsgiving" and, more generally, "giving" are called "dāna" (Pāli).[3] Such giving is one of the three elements of the path of practice as formulated by the Buddha for laypeople. This path of practice for laypeople is: dāna, sīla, bhāvanā.[4]
Generosity is also expressed towards other sentient beings as both a cause for merit and to aid the receiver of the gift. It is accepted that although the three jewels of refuge are the basis of the greatest merit, by seeing other sentient beings as having Buddhanature and making offerings towards the aspirational Buddha to be wihtin them is of equal benefit. Generosity towards other sentient beings is greatly emphasised in Mahayana as one of the perfections (paramita) as shown in Lama Tsong Khapa's 'The Abbreviated Points of the Graded Path' (Tibetan: lam-rim bsdus-don):
"Total willingness to give is the wish-granting gem for fulfilling the hopes of wandering beings.
It is the sharpest weapon to sever the knot of stinginess.
It leads to bodhisattva conduct that enhances self-confidence and courage,
And is the basis for universal proclamation of your fame and repute.
Realizing this, the wise rely, in a healthy manner, on the outstanding path
Of (being ever-willing) to offer completely their bodies, possessions, and positive potentials.
The ever-vigilant lama has practiced like that.
If you too would seek liberation,
Please cultivate yourself in the same way."[5]
In Buddhism, giving of alms, is the beginning of one's journey to Nirvana (Pali: nibbana). In practice, one can give anything with or without thought for Nibbana. This would lead to faith (Pali: saddha), one key power (Pali: bala) that one should generate within oneself for the Buddha, Dhamma and Sangha.
According to the Pali canon:
Of all gifts [alms], the gift of Dhamma is the highest. (Dhp. XXIV v. 354)[6]
Christianity
Whereas the principle of almsgiving in Christianity is not a legal concept as in Islam, giving to the poor is regarded as one of the highest duties for any Christian. The offertory is the traditional moment in every Roman Catholic Mass, when alms are collected. In all Christian forms of worship, a collection is made of "tithes and offerings" given for the support of the church and for the relief of the poor, as a central act of Christian worship. In addition, private acts of charity, considered virtuous only if not done for others to admire, are a Christian duty.
Be careful not to do your 'acts of righteousness' in front of others, to be seen by them. If you do, you will have no reward from your Father in heaven. - (Matthew 6:1)
The outward and an inward giving of alms: Here Jesus places the primary focus on the motives behind such acts, which should be love.
Rather, give as alms what is inside, and then everything will be clean for you!-
(Luke 11:41)
Giving of the rich verses the poor: Here Jesus contrasts the giving of the rich and the poor
He looked up and saw the rich putting their gifts into the treasury. And He saw a poor widow putting in two small copper coins. And He said, "Truly I say to you, this poor widow put in more than all of them; for they all out of their surplus put into the offering; but she out of her poverty put in all that she had to live on."- (Luke 21:1-4)
1) Indicative of the mutual nature of the almsgiving exchange, in some Theravada countries, if a monk were to refuse alms from someone — a gesture known as "turning over the rice bowl" — this would be interpreted as an act of excommunication. An example of such a refusal has occurred at times as a form of protest by Buddhist monks in response to offerings by military personnel in military-occupied Myanmar (Mydans, 20 Sept 2007, NYT).
2) Thanissaro (2001).[1] Almsgiving is also commended by the Buddha in a less prominent way in various other canonical texts such as the Dighajanu Sutta.
3) Nyanatiloka (1980), entry for "dāna"[2].
4) Nyanatiloka (1980), entry for "dāna"[3]; and, PTS (1921-25), entry for "Puñña" (merit)[4].
5) Tsongkhapa & Berzin (2001), verse 15.
6) In Pali, this line is: "Sabba danam, Dhamma danam jinati." This line can be found in the Dhammapada, Chapter 24, verse 354. Thanissaro (1997)[5] translates this entire verse as:
A gift of Dhamma conquers all gifts;
the taste of Dhamma, all tastes;
a delight in Dhamma, all delights;
the ending of craving, all suffering
& stress.
Tuesday, October 9, 2007
Rumor of Pirate Killian McBlarney
As the rumor goes, Killian McBlarny was a born pirate. He was the son of a known African Pirate, Captain Kroomwell. Kroomwell was a giant man with giant greed. He commanded a sailing vessel between 1770 and 1780, where he plundered sailing vessels around the horn of Africa. His greed kept the vessel at sea longer and his crew working harder, but the benefits were considerable. Kroomwell was known for his ruthless execution of prisoners, and his resale of captured vessels and arms to anyone. A number of pirates were supplied by his methods.
In 1780 it is rumored that he took an Irish woman as a concubine, and sired a son. Fleeing her pirate capture she took young Killian McBlarney and raised him in her native Ireland. Killian inherited his fathers temperament and nature, as at 16 he signed on as pirate crew.
Many accounts of his life indicate that he assassinated his captain and assumed control, but more likely is that he simply stole enough treasure to purchase and crew his own vessel. In either event, Killian’s first recorded act of piracy was against a merchant vessel of Britain in 1897. In this act, he executed all of the crew and discharged their bodies to the sea.
Killian was soon forced away from European waters to the West Indies [Caribbean]. Apparently, without motive other than greed, Killian attacked and plundered 11 merchant vessels. It is popularly reported that anyone captured in these raids was set free, thus breaking the cycle of murder that his father faithfully upheld. In 1800, Napoleon signed a letter of marquee with Killian. He was charged with the destruction of British shipping and the capture of any cargo bound for British ports.
From 1800 to 1804, Killian raided, plundered, and pirated in the name of France. He was so successful that the British Navy dispatched 10 ships of the line to hunt down and destroy him. This was a very significant move, as the impending war with France would require all the ships the British could muster. Killian was so embolden by the hunt that he is reported to have snuck aboard one of the vessels and scuttled it.
As reward for services to the French Empire was a huge land grant within the Louisiana territory. No record exists as to the nature of the land grant, nor is there any record that Killian ever received compensation for his activities, but local rumors about his vast treasures and activities near New Orleans are stuff of [albeit bar room] legend.
The small town of Thibodaux Louisiana claims that the famous pirate founded the town. Several tourist traps offer Killian McBlarney souvenirs and memorabilia. Modern historians have little factual testimony as to the accuracy of this claim, but the residents still proclaim it as truthful history.
True scholarly work on Killian and his piracy has little on the later portions of his career, as lands of the Louisiana Purchase were transferred to the Americans actions against piracy increased. Killian’s last known act of piracy was off the coast of Key West where Captain Killian attacked a British merchant ship [1805]. He plundered the cargo and left the crew marooned on a tropical island. Many other acts of piracy were attributed to Killian after 1805, but none has been substantiated.
The rumor of the famed pirate runs rampant within Thibodaux. Most commonly, it is told to attract tourists, but it is a frequent bar rail legend. In both cases, the telling is the real purpose. If the town gets people to visit, they gain the needed tourist income that local New Orleans seems to hoard. Anyone who is town and not living under a rock [and it would have to be a pretty big rock] have heard of the Killian stories. Most know the drunken exaggerations that come with the telling and pay them little mind. Some pay closer attention.
In 1780 it is rumored that he took an Irish woman as a concubine, and sired a son. Fleeing her pirate capture she took young Killian McBlarney and raised him in her native Ireland. Killian inherited his fathers temperament and nature, as at 16 he signed on as pirate crew.
Many accounts of his life indicate that he assassinated his captain and assumed control, but more likely is that he simply stole enough treasure to purchase and crew his own vessel. In either event, Killian’s first recorded act of piracy was against a merchant vessel of Britain in 1897. In this act, he executed all of the crew and discharged their bodies to the sea.
Killian was soon forced away from European waters to the West Indies [Caribbean]. Apparently, without motive other than greed, Killian attacked and plundered 11 merchant vessels. It is popularly reported that anyone captured in these raids was set free, thus breaking the cycle of murder that his father faithfully upheld. In 1800, Napoleon signed a letter of marquee with Killian. He was charged with the destruction of British shipping and the capture of any cargo bound for British ports.
From 1800 to 1804, Killian raided, plundered, and pirated in the name of France. He was so successful that the British Navy dispatched 10 ships of the line to hunt down and destroy him. This was a very significant move, as the impending war with France would require all the ships the British could muster. Killian was so embolden by the hunt that he is reported to have snuck aboard one of the vessels and scuttled it.
As reward for services to the French Empire was a huge land grant within the Louisiana territory. No record exists as to the nature of the land grant, nor is there any record that Killian ever received compensation for his activities, but local rumors about his vast treasures and activities near New Orleans are stuff of [albeit bar room] legend.
The small town of Thibodaux Louisiana claims that the famous pirate founded the town. Several tourist traps offer Killian McBlarney souvenirs and memorabilia. Modern historians have little factual testimony as to the accuracy of this claim, but the residents still proclaim it as truthful history.
True scholarly work on Killian and his piracy has little on the later portions of his career, as lands of the Louisiana Purchase were transferred to the Americans actions against piracy increased. Killian’s last known act of piracy was off the coast of Key West where Captain Killian attacked a British merchant ship [1805]. He plundered the cargo and left the crew marooned on a tropical island. Many other acts of piracy were attributed to Killian after 1805, but none has been substantiated.
The rumor of the famed pirate runs rampant within Thibodaux. Most commonly, it is told to attract tourists, but it is a frequent bar rail legend. In both cases, the telling is the real purpose. If the town gets people to visit, they gain the needed tourist income that local New Orleans seems to hoard. Anyone who is town and not living under a rock [and it would have to be a pretty big rock] have heard of the Killian stories. Most know the drunken exaggerations that come with the telling and pay them little mind. Some pay closer attention.
Tuesday, October 2, 2007
Dreams Again
The dreams had abated for nearly 4 weeks, and not without noted relief to your psyche. But last night the dream of the solder returned.
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…With no need for careful aim you fire your weapon into the overgrown toy. The shot strikes the metal body with a dull metallic thud and creates a shower of atomized paint that resembles a cloud of blood. The metal figure is undisturbed. Only the small black blemish of your shot serves are testament to your actions. The darkness of the forest begins to press in around you. Whatever is out there has found you. Your soul is claimed…
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend together to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…With careful aim you discharge you rifle at the naked girl. Her rapid and random movements confound the shot and she dances behind a tree just as the mini-ball flees downrange. You are sure to have missed, were it not for a perfect deflection from an old oak. The speeding metal struck the dancing girl and crumpled her fragile body…
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend together to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…Placing the iron sights directly in-line with the head of the tall man in the suit, you fire. The bullet races to the gangly man and strikes him fully in the mouth. The shot tears into his flesh and pulps his face, but somehow he is not harmed. He simply keeps on presenting his lecture, adding the lack of a mouth to the noiseless speech…
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…With no need for careful aim you fire your weapon into the overgrown toy. The shot strikes the metal body with a dull metallic thud and creates a shower of atomized paint that resembles a cloud of blood. The metal figure is undisturbed. Only the small black blemish of your shot serves are testament to your actions. The darkness of the forest begins to press in around you. Whatever is out there has found you. Your soul is claimed…
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend together to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…With careful aim you discharge you rifle at the naked girl. Her rapid and random movements confound the shot and she dances behind a tree just as the mini-ball flees downrange. You are sure to have missed, were it not for a perfect deflection from an old oak. The speeding metal struck the dancing girl and crumpled her fragile body…
The woods were thick and obscured the field before you. The drooping branches and dense foliage prevents you from seeing anything more than 100 feet away. Add to that the dimming sunlight of the rapidly approaching evening and the visibility continues to drop. You know that a mist will soon begin to rise. The muggy heavy air, just after sun down will form swirling mists and banks of fog. When that happens you know you will not be able to see anything past 15 feet, but yet you have to press on.
What is waiting for you in these dark woods? Where is it? Is their danger? All these questions blend together to a chaotic pronouncement of fear.
The walk seems indefinite, but somehow with each step much more foreboding. The thin gossamer stands of moonlight filtering through the canopy cast a bizarre pattern of dots upon the forest floor. Where the light strikes water the tendrils of illumination dance and play upon the ground. This image is nearly serene until the mists begin to rise.
The fog slips between trees and gives form to the light beams. The mists play flowing by and through the forest gives these moonbeams near substance and perverse form. They diffuse the light almost like a natural lantern, slowly pulsing as the breeze pushes the fogs around the trees. It is then you see them, three figures among the trees. Each fills you with a sense of doom.
The first is a grotesquely tall and thin man. He is wearing a dark suit and broad brimmed hat. His skin is pale and his eyes are powerful points of amber light. In his left hand, he is carrying a leather attaché case and in his right hand, a wooden yardstick. He simply stands among the trees silently mouthing words to some imperceptible lecture. The second figure is that of a giant tin solder. This gigantic child toy is roughly painted in the colors of the British army. The metal man is armed with a musket and wears a large bedroll on its back. The third figure is a naked girl. She is light skinned and delicate in both form and feature. Her long flowing brown hair seems to flow and dance beyond what can be explained by the mild breeze. She stands upon the forest floor, but looks as if she could simply float away. With cat-like grace she dances within the forest.
Your musket is readied and aimed downrange before you even think about the possibility of firing. Looking along the sights you could easily dispatch any one of the figures…Placing the iron sights directly in-line with the head of the tall man in the suit, you fire. The bullet races to the gangly man and strikes him fully in the mouth. The shot tears into his flesh and pulps his face, but somehow he is not harmed. He simply keeps on presenting his lecture, adding the lack of a mouth to the noiseless speech…
You wake in fear, cold and dire beads of sweat flowing down your body.
Wednesday, September 26, 2007
Friday, September 21, 2007
…another job
“How many times have I been right here?” Tim asked himself this question over and over. He couldn’t even keep track anymore. Sweat beaded on his skin and glistened in the moonlight. The tall grass around him rustled in an almost imperceptible breeze. The air was humid and carried just a touch of ocean salt. The breeze also carried the smell of people and an intimation of passion.
He knew his targets were just past this thicket, lounging in the old abandon Tylor House. The breeze brought him all the information he needed. They are three of them and they are sweating. They had Chinese food, something deep fried and the fryer grease was not new. The air told him that the house was rotting away, mold and rot mixed with colonies of insects; it would soon be nothing more than debris. The wind that whispered all this or was it something else; in any case it didn’t matter he was going to kill them.
He tightened his grip on his weapons. In his right hand was a gladius. The whole of the blade was coated in a black pitch. He had learned a hard lesson in Florida that many things in the night can see much better than he can and the glint of metal, even in starlight, was enough to get you killed.
In his left hand he held the custom build hand-crossbow that he had grown to love. This little toy had saved his life more times than he could remember. It fired a small dart, but when loaded with neurotoxin it was deadly. Tim knew that not everything out there was affected by poison, but the snake venom he utilized has never found any resistance.
Of course he carried his silenced pistol and several other useful items. Experience is a brutal and nasty teacher, but the lessons are valuable. The grenade, pepper spray, duct tape, and fishing line are all results of these lessons. He carried the totem of the pointed nose woman for other reasons. The little clay sculpture gifted him with the ability to see smells. Its powers had brought him here tonight, that and the $500,000 contract.
The breeze washed yet another scent to him; it was the smell of sex. They were having sex. This was going to be easier than he had planned. If they were distracted and making noise, the approach would be simple. Easy money and no complications, he might even be able to get back to that little dinner on Route 10 for a steak-n-eggs breakfast.
Tim’s movements were fluid and elegant, like a practiced predator. He rose from the thicket and began to approach the dilapidated house. He was silent and graceful. The open space between the door and the thicket was nearly 200 yards, but Tim moved with swift confidence. The mixed aromas of passion, sweat, and carnal friction were so strong. He was swept up by it. They would never even realize what happened; they would simply die within the sin of lust.
The house was only dimly lit from a room on the second floor, and the front door yielded all too easily. Tim found the stairs and was nearly to the landing when the hair on his neck began to prickle. Prickle is the wrong word. They would have prickled if there would have been an unexpected noise, or an object out of place. This was a stabbing blade of ice right into his brain, and Tim froze.
The feeling was so abrupt that he stopped with his left foot amid stride. He slowly lowered it to the next step, making sure it didn’t make any noise. It was then that it hit him. Like a bat to the head it was upon him, the smell of blood and gut. The pungent smell of shit and freshly spilled blood were so strong. How could he not have sensed it before?
A need for urgent escape began to creep into his brain, but a professional never abandons a job, not when he was this close. Two months of tracking and a very long trip to Louisiana were compelling reasons to continue. Those reasons and the cash spurred him on. The door to the little room at the top of the stairs was open. The lantern light weakly spilled out of the door. Tim cautiously, very cautiously, approached the room.
Death had just arrived. The blood was still slick and wet, running from the tissues and soaking into the mattress, pooling on the floor. The splintered bones oozed pink marrow and the tattered organ meat was still glistening. He noted that an eye had been disgorged from its socket and was leaking a clear fluid into a small puddle just at his feet. The room had only an old mattress; a couple of upside-down cardboard boxes to serve as tables; and a battered Coleman lantern, but the whole of it was covered in blood, tissue and gore.
He was able to identify three skulls, or at least fragments from three skulls. All of his targets were here, but how could be he sure? There was nothing left that truly identified the remains even as human. Clothing was strewn around the room, but strangely enough it all appeared to be intact. There were two bras at the end of the mattress. Tim reached down to examine one. He turned it over with his blade. It was a lacy garment, once white, now turned red with blood. Perhaps he could discern identities from the cloths.
There it was again! That frost-knife slicing into his neck. Tim wheeled around, sure to see whoever or whatever had done this, but there was nothing. Only the quiet darkness of the house and the hissing sound of the gas lantern came to him.
Perhaps it was the smell of death that prevented him from sensing it, or perhaps it had no smell at all. Alert and attuned his senses did him no good. It was like it made no noise, had not smell, and could not be seen. Tim felt the life drain from him, his weapons and training were useless. A desperate hand slashed at…nothing. He could feel his muscles becoming weak and everything appeared dull. His brain was begging for sleep and his body was all too willingly capitulating.
The short trip the floor resulted in a muted thud, probably the most noise he had made all night. It was that sound that jolted his mind back from its black wandering. His body was unwilling to move, but his eyes were partially closed and he could still see.
…
The quiet of the house was then pierced by an oily clam voice, “There were only supposed to be three, a man and two women. You make four.“ He moved from the shadows towards the newly fallen addition to tonight’s work. He had only moments before the tissues were so badly damages that his identity would be lost forever. “This one looks military.” he thought as he gazed upon the doomed thing.
…
With the wave of his hand he cast off the gloom like a traveling cloak. Tim only saw him after he stepped from these shadows. This man took a step towards Tim and looked down at him, a quizzical look upon his angular face. He wore a long leather duster, far too warm for this climate. His boots and broad brimmed hat were also leather, perhaps ostrich or some other exotic skin. It was at that moment that Tim became critically aware of the overwhelming numbness.
The cloaked figure bent down, placed his hand around Tim’s head, and gently lifted. There was no feeling, but as the stranger lifted him off the ground Tim saw his body below him. Almost whimsically Tim noted how strange a sight it is to gaze at one’s own decapitated self, but he could see the added crunches were worth it. Afforded only a brief glimpse he was rapidly turned over to stare into the eyes of this figure.
His cold eyes were alien and lifeless. The pure black almost cat-like pupils, were perfectly framed in pumpkin orange and examined Tim’s head with disdain. Their eyes locked for the briefest of moments, the gaze broken as Tim lost focus. The world had drifted away from clarity and was rapidly disappearing. “That is not a human” was the last thought that pushed its way into Tim’s mind.
He knew his targets were just past this thicket, lounging in the old abandon Tylor House. The breeze brought him all the information he needed. They are three of them and they are sweating. They had Chinese food, something deep fried and the fryer grease was not new. The air told him that the house was rotting away, mold and rot mixed with colonies of insects; it would soon be nothing more than debris. The wind that whispered all this or was it something else; in any case it didn’t matter he was going to kill them.
He tightened his grip on his weapons. In his right hand was a gladius. The whole of the blade was coated in a black pitch. He had learned a hard lesson in Florida that many things in the night can see much better than he can and the glint of metal, even in starlight, was enough to get you killed.
In his left hand he held the custom build hand-crossbow that he had grown to love. This little toy had saved his life more times than he could remember. It fired a small dart, but when loaded with neurotoxin it was deadly. Tim knew that not everything out there was affected by poison, but the snake venom he utilized has never found any resistance.
Of course he carried his silenced pistol and several other useful items. Experience is a brutal and nasty teacher, but the lessons are valuable. The grenade, pepper spray, duct tape, and fishing line are all results of these lessons. He carried the totem of the pointed nose woman for other reasons. The little clay sculpture gifted him with the ability to see smells. Its powers had brought him here tonight, that and the $500,000 contract.
The breeze washed yet another scent to him; it was the smell of sex. They were having sex. This was going to be easier than he had planned. If they were distracted and making noise, the approach would be simple. Easy money and no complications, he might even be able to get back to that little dinner on Route 10 for a steak-n-eggs breakfast.
Tim’s movements were fluid and elegant, like a practiced predator. He rose from the thicket and began to approach the dilapidated house. He was silent and graceful. The open space between the door and the thicket was nearly 200 yards, but Tim moved with swift confidence. The mixed aromas of passion, sweat, and carnal friction were so strong. He was swept up by it. They would never even realize what happened; they would simply die within the sin of lust.
The house was only dimly lit from a room on the second floor, and the front door yielded all too easily. Tim found the stairs and was nearly to the landing when the hair on his neck began to prickle. Prickle is the wrong word. They would have prickled if there would have been an unexpected noise, or an object out of place. This was a stabbing blade of ice right into his brain, and Tim froze.
The feeling was so abrupt that he stopped with his left foot amid stride. He slowly lowered it to the next step, making sure it didn’t make any noise. It was then that it hit him. Like a bat to the head it was upon him, the smell of blood and gut. The pungent smell of shit and freshly spilled blood were so strong. How could he not have sensed it before?
A need for urgent escape began to creep into his brain, but a professional never abandons a job, not when he was this close. Two months of tracking and a very long trip to Louisiana were compelling reasons to continue. Those reasons and the cash spurred him on. The door to the little room at the top of the stairs was open. The lantern light weakly spilled out of the door. Tim cautiously, very cautiously, approached the room.
Death had just arrived. The blood was still slick and wet, running from the tissues and soaking into the mattress, pooling on the floor. The splintered bones oozed pink marrow and the tattered organ meat was still glistening. He noted that an eye had been disgorged from its socket and was leaking a clear fluid into a small puddle just at his feet. The room had only an old mattress; a couple of upside-down cardboard boxes to serve as tables; and a battered Coleman lantern, but the whole of it was covered in blood, tissue and gore.
He was able to identify three skulls, or at least fragments from three skulls. All of his targets were here, but how could be he sure? There was nothing left that truly identified the remains even as human. Clothing was strewn around the room, but strangely enough it all appeared to be intact. There were two bras at the end of the mattress. Tim reached down to examine one. He turned it over with his blade. It was a lacy garment, once white, now turned red with blood. Perhaps he could discern identities from the cloths.
There it was again! That frost-knife slicing into his neck. Tim wheeled around, sure to see whoever or whatever had done this, but there was nothing. Only the quiet darkness of the house and the hissing sound of the gas lantern came to him.
Perhaps it was the smell of death that prevented him from sensing it, or perhaps it had no smell at all. Alert and attuned his senses did him no good. It was like it made no noise, had not smell, and could not be seen. Tim felt the life drain from him, his weapons and training were useless. A desperate hand slashed at…nothing. He could feel his muscles becoming weak and everything appeared dull. His brain was begging for sleep and his body was all too willingly capitulating.
The short trip the floor resulted in a muted thud, probably the most noise he had made all night. It was that sound that jolted his mind back from its black wandering. His body was unwilling to move, but his eyes were partially closed and he could still see.
…
The quiet of the house was then pierced by an oily clam voice, “There were only supposed to be three, a man and two women. You make four.“ He moved from the shadows towards the newly fallen addition to tonight’s work. He had only moments before the tissues were so badly damages that his identity would be lost forever. “This one looks military.” he thought as he gazed upon the doomed thing.
…
With the wave of his hand he cast off the gloom like a traveling cloak. Tim only saw him after he stepped from these shadows. This man took a step towards Tim and looked down at him, a quizzical look upon his angular face. He wore a long leather duster, far too warm for this climate. His boots and broad brimmed hat were also leather, perhaps ostrich or some other exotic skin. It was at that moment that Tim became critically aware of the overwhelming numbness.
The cloaked figure bent down, placed his hand around Tim’s head, and gently lifted. There was no feeling, but as the stranger lifted him off the ground Tim saw his body below him. Almost whimsically Tim noted how strange a sight it is to gaze at one’s own decapitated self, but he could see the added crunches were worth it. Afforded only a brief glimpse he was rapidly turned over to stare into the eyes of this figure.
His cold eyes were alien and lifeless. The pure black almost cat-like pupils, were perfectly framed in pumpkin orange and examined Tim’s head with disdain. Their eyes locked for the briefest of moments, the gaze broken as Tim lost focus. The world had drifted away from clarity and was rapidly disappearing. “That is not a human” was the last thought that pushed its way into Tim’s mind.
Wednesday, September 12, 2007
Character Bonus
Characters that are finalized by 9/21/07 will be awarded 1 point of morality. This point may be used to recover from a point exchange; morality for experience points.
Please submit your characters via email. Best results are to my handheld device.
Please submit your characters via email. Best results are to my handheld device.
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